AboutPedia

Mock the Week: Andy Parsons - Sports

Andy Parsons discusses the issue of drugs in sports on Mock the Week.From episode 04x03, first broadcast on 25 January 2007.

Author: Glenw83
Keywords: Mock the Week Andy Parsons
Added: July 5, 2008

Jan 22 2007 - VID00054

Recorded on January 22, 2007 using a Flip Video camcorder.

Author: johnebii
Keywords: johnebii Jan 22 2007 - VID00054
Added: July 5, 2008

Jan 22 2007 - VID00053

Recorded on January 22, 2007 using a Flip Video camcorder.

Author: johnebii
Keywords: johnebii Jan 22 2007 - VID00053
Added: July 5, 2008

Ronnie Self - Bop-A-Lena

Ronnie Self, born in Tin Town, MO, on July 5, 1938, became interested in music while still a boy, and began writing songs while in his teens. He was always submitting demos, and in 1956, Self got hooked up with Dub Albritton, who managed Red Foley, among other artists, and owned a publishing house, and Self was signed to a songwriting contract. His first recording sessions were held in Nashville on behalf of ABC Records, which led to a contract and the release of a single, "Pretty Bad Blues"/"Three Hearts Later," both sides of which were written by Self. Issued in 1956, the record failed to chart -- although ABC listed a second single release by Self, "Sweet Love"/"Alone," that disc has never been found, nor have the tapes for those two songs. In January of 1957, Self was picked by Albritton to perform as part of the Phillip Morris Caravan. Most of the acts on the package show were country players, and Self was the resident rockabilly representative -- he quickly began attracting attention with his wild and highly animated stage act, not to mention the nature of his songs, which combined the intensity of R&B with high-energy rockabilly. His success on the tour helped get him a contract with Columbia Records in February of 1957. That same month Self recorded "Big Fool"/"Flame of Love," which failed to chart, and a third song, Self's own "Black Night Blues," was unissued until 1990. Four months later, he had another try with four numbers cut in June of that year, which fared no better than their predecessors. Then, in December, he went in for one more session that yielded a piece of rapid-fire, high-powered rock & roll called "Bop a Lena." The raw power of Self's singing, coupled with the frantic beat, has resulted in "Bop a Lena" being labeled as the first punk single in some quarters. That might be a bit extreme, but not too far off the mark -- that record moves, and it's just anarchic enough to be recognizable not only to modern rockabilly practitioners like the A-Bones, but lots of punkers as well. Self's career kept rolling, and in 1958 he even got picked for a screen test for the movie Rally Round the Flag, Boys. Meanwhile, "Bop a Lena," issued in the spring of 1958, began climbing the charts and eventually made it to number 68 -- not too high, but at least a beginning, or so it seemed. The single's success was, of course, welcomed, but it could not have come at a worse time. Self had married immediately after the "Bop a Lena" session, and by the time the single started to break around the country, the birth of Self's first child was an imminent prospect. He pulled out of the Phillip Morris tour and never made the screen test because of the birth of his son. Self's dropping out of the package tour was understandable. Coupled with his established reputation as something of a wild man and being somewhat unreliable, however, it led to his being all but barred from any major engagements, just as "Bop a Lena" was getting airplay and starting to generate sales. No live television variety show (and almost all of them were live then) was willing to book him for fear that he wouldn't turn up, "Bop a Lena" stalled low on the charts and disappeared soon after. By the end of 1958, Self was dropped by Columbia Records. It was a year of between his final Columbia session in March of 1958 and his next one, for Decca as part of a three-year contract, in the summer of 1959. He never charted a song as a recording artist during his time with Decca, but he did see some success as a songwriter when Brenda Lee covered "I'm Sorry." He had other songs covered by Lee, and also by Jerry Lee, among other artists, and it was his songwriting that gave Self what little solvency he had in those years. He left Decca in 1962 without a hit or many prospects and was signed to the Kapp label, where he cut a pair of songs, "Houdini" and "Bless My Broken Heart." On August 28, 1981, he died in Springfield, MO. Self left behind some 30 songs, and what is amazing is their sheer quality. As a singer and recording artist, he was a triple threat, equally strong as a singer of country ballads, hot white (and white-hot) R&B, and some of the fastest, most bracing rockabilly heard this side of the Sparkletones. It's been said too many times about too many performers, but as a singer, Self could have been another Elvis Presley, and had the potential to be bigger -- he lacked Elvis' dark, brooding, charismatic sexuality (although he had a dark side, to be sure), which translated well onscreen, but he could take a song and turn it into the hottest piece of Dixie-fried rock & roll this side of Perkins, and with a frantic Jerry Lee edge to it as well. He may have been a little too country-fried for the rock & roll market after 1956 (a problem that Perkins also ran into), but his songwriting had enough variety to keep his stuff fascinating, and the quality of his music was extraordinary. ~ Bruce Eder, All Music Guide

Author: JBauder1948
Keywords: rockabilly 1958
Added: July 5, 2008

Ronnie Self - Bop-A-Lena

Ronnie Self, born in Tin Town, MO, on July 5, 1938, became interested in music while still a boy, and began writing songs while in his teens. He was always submitting demos, and in 1956, Self got hooked up with Dub Albritton, who managed Red Foley, among other artists, and owned a publishing house, and Self was signed to a songwriting contract. His first recording sessions were held in Nashville on behalf of ABC Records, which led to a contract and the release of a single, "Pretty Bad Blues"/"Three Hearts Later," both sides of which were written by Self. Issued in 1956, the record failed to chart -- although ABC listed a second single release by Self, "Sweet Love"/"Alone," that disc has never been found, nor have the tapes for those two songs. In January of 1957, Self was picked by Albritton to perform as part of the Phillip Morris Caravan. Most of the acts on the package show were country players, and Self was the resident rockabilly representative -- he quickly began attracting attention with his wild and highly animated stage act, not to mention the nature of his songs, which combined the intensity of R&B with high-energy rockabilly. His success on the tour helped get him a contract with Columbia Records in February of 1957. That same month Self recorded "Big Fool"/"Flame of Love," which failed to chart, and a third song, Self's own "Black Night Blues," was unissued until 1990. Four months later, he had another try with four numbers cut in June of that year, which fared no better than their predecessors. Then, in December, he went in for one more session that yielded a piece of rapid-fire, high-powered rock & roll called "Bop a Lena." The raw power of Self's singing, coupled with the frantic beat, has resulted in "Bop a Lena" being labeled as the first punk single in some quarters. That might be a bit extreme, but not too far off the mark -- that record moves, and it's just anarchic enough to be recognizable not only to modern rockabilly practitioners like the A-Bones, but lots of punkers as well. Self's career kept rolling, and in 1958 he even got picked for a screen test for the movie Rally Round the Flag, Boys. Meanwhile, "Bop a Lena," issued in the spring of 1958, began climbing the charts and eventually made it to number 68 -- not too high, but at least a beginning, or so it seemed. The single's success was, of course, welcomed, but it could not have come at a worse time. Self had married immediately after the "Bop a Lena" session, and by the time the single started to break around the country, the birth of Self's first child was an imminent prospect. He pulled out of the Phillip Morris tour and never made the screen test because of the birth of his son. Self's dropping out of the package tour was understandable. Coupled with his established reputation as something of a wild man and being somewhat unreliable, however, it led to his being all but barred from any major engagements, just as "Bop a Lena" was getting airplay and starting to generate sales. No live television variety show (and almost all of them were live then) was willing to book him for fear that he wouldn't turn up, "Bop a Lena" stalled low on the charts and disappeared soon after. By the end of 1958, Self was dropped by Columbia Records. It was a year of between his final Columbia session in March of 1958 and his next one, for Decca as part of a three-year contract, in the summer of 1959. He never charted a song as a recording artist during his time with Decca, but he did see some success as a songwriter when Brenda Lee covered "I'm Sorry." He had other songs covered by Lee, and also by Jerry Lee, among other artists, and it was his songwriting that gave Self what little solvency he had in those years. He left Decca in 1962 without a hit or many prospects and was signed to the Kapp label, where he cut a pair of songs, "Houdini" and "Bless My Broken Heart." On August 28, 1981, he died in Springfield, MO. Self left behind some 30 songs, and what is amazing is their sheer quality. As a singer and recording artist, he was a triple threat, equally strong as a singer of country ballads, hot white (and white-hot) R&B, and some of the fastest, most bracing rockabilly heard this side of the Sparkletones. It's been said too many times about too many performers, but as a singer, Self could have been another Elvis Presley, and had the potential to be bigger -- he lacked Elvis' dark, brooding, charismatic sexuality (although he had a dark side, to be sure), which translated well onscreen, but he could take a song and turn it into the hottest piece of Dixie-fried rock & roll this side of Perkins, and with a frantic Jerry Lee edge to it as well. He may have been a little too country-fried for the rock & roll market after 1956 (a problem that Perkins also ran into), but his songwriting had enough variety to keep his stuff fascinating, and the quality of his music was extraordinary. ~ Bruce Eder, All Music Guide

Author: JBauder1948
Keywords: rockabilly 1958
Added: July 5, 2008

Ronnie Self - Bop-A-Lena

Ronnie Self, born in Tin Town, MO, on July 5, 1938, became interested in music while still a boy, and began writing songs while in his teens. He was always submitting demos, and in 1956, Self got hooked up with Dub Albritton, who managed Red Foley, among other artists, and owned a publishing house, and Self was signed to a songwriting contract. His first recording sessions were held in Nashville on behalf of ABC Records, which led to a contract and the release of a single, "Pretty Bad Blues"/"Three Hearts Later," both sides of which were written by Self. Issued in 1956, the record failed to chart -- although ABC listed a second single release by Self, "Sweet Love"/"Alone," that disc has never been found, nor have the tapes for those two songs. In January of 1957, Self was picked by Albritton to perform as part of the Phillip Morris Caravan. Most of the acts on the package show were country players, and Self was the resident rockabilly representative -- he quickly began attracting attention with his wild and highly animated stage act, not to mention the nature of his songs, which combined the intensity of R&B with high-energy rockabilly. His success on the tour helped get him a contract with Columbia Records in February of 1957. That same month Self recorded "Big Fool"/"Flame of Love," which failed to chart, and a third song, Self's own "Black Night Blues," was unissued until 1990. Four months later, he had another try with four numbers cut in June of that year, which fared no better than their predecessors. Then, in December, he went in for one more session that yielded a piece of rapid-fire, high-powered rock & roll called "Bop a Lena." The raw power of Self's singing, coupled with the frantic beat, has resulted in "Bop a Lena" being labeled as the first punk single in some quarters. That might be a bit extreme, but not too far off the mark -- that record moves, and it's just anarchic enough to be recognizable not only to modern rockabilly practitioners like the A-Bones, but lots of punkers as well. Self's career kept rolling, and in 1958 he even got picked for a screen test for the movie Rally Round the Flag, Boys. Meanwhile, "Bop a Lena," issued in the spring of 1958, began climbing the charts and eventually made it to number 68 -- not too high, but at least a beginning, or so it seemed. The single's success was, of course, welcomed, but it could not have come at a worse time. Self had married immediately after the "Bop a Lena" session, and by the time the single started to break around the country, the birth of Self's first child was an imminent prospect. He pulled out of the Phillip Morris tour and never made the screen test because of the birth of his son. Self's dropping out of the package tour was understandable. Coupled with his established reputation as something of a wild man and being somewhat unreliable, however, it led to his being all but barred from any major engagements, just as "Bop a Lena" was getting airplay and starting to generate sales. No live television variety show (and almost all of them were live then) was willing to book him for fear that he wouldn't turn up, "Bop a Lena" stalled low on the charts and disappeared soon after. By the end of 1958, Self was dropped by Columbia Records. It was a year of between his final Columbia session in March of 1958 and his next one, for Decca as part of a three-year contract, in the summer of 1959. He never charted a song as a recording artist during his time with Decca, but he did see some success as a songwriter when Brenda Lee covered "I'm Sorry." He had other songs covered by Lee, and also by Jerry Lee, among other artists, and it was his songwriting that gave Self what little solvency he had in those years. He left Decca in 1962 without a hit or many prospects and was signed to the Kapp label, where he cut a pair of songs, "Houdini" and "Bless My Broken Heart." On August 28, 1981, he died in Springfield, MO. Self left behind some 30 songs, and what is amazing is their sheer quality. As a singer and recording artist, he was a triple threat, equally strong as a singer of country ballads, hot white (and white-hot) R&B, and some of the fastest, most bracing rockabilly heard this side of the Sparkletones. It's been said too many times about too many performers, but as a singer, Self could have been another Elvis Presley, and had the potential to be bigger -- he lacked Elvis' dark, brooding, charismatic sexuality (although he had a dark side, to be sure), which translated well onscreen, but he could take a song and turn it into the hottest piece of Dixie-fried rock & roll this side of Perkins, and with a frantic Jerry Lee edge to it as well. He may have been a little too country-fried for the rock & roll market after 1956 (a problem that Perkins also ran into), but his songwriting had enough variety to keep his stuff fascinating, and the quality of his music was extraordinary. ~ Bruce Eder, All Music Guide

Author: JBauder1948
Keywords: rockabilly 1958
Added: July 5, 2008

Ronnie Self - Bop-A-Lena

Ronnie Self, born in Tin Town, MO, on July 5, 1938, became interested in music while still a boy, and began writing songs while in his teens. He was always submitting demos, and in 1956, Self got hooked up with Dub Albritton, who managed Red Foley, among other artists, and owned a publishing house, and Self was signed to a songwriting contract. His first recording sessions were held in Nashville on behalf of ABC Records, which led to a contract and the release of a single, "Pretty Bad Blues"/"Three Hearts Later," both sides of which were written by Self. Issued in 1956, the record failed to chart -- although ABC listed a second single release by Self, "Sweet Love"/"Alone," that disc has never been found, nor have the tapes for those two songs. In January of 1957, Self was picked by Albritton to perform as part of the Phillip Morris Caravan. Most of the acts on the package show were country players, and Self was the resident rockabilly representative -- he quickly began attracting attention with his wild and highly animated stage act, not to mention the nature of his songs, which combined the intensity of R&B with high-energy rockabilly. His success on the tour helped get him a contract with Columbia Records in February of 1957. That same month Self recorded "Big Fool"/"Flame of Love," which failed to chart, and a third song, Self's own "Black Night Blues," was unissued until 1990. Four months later, he had another try with four numbers cut in June of that year, which fared no better than their predecessors. Then, in December, he went in for one more session that yielded a piece of rapid-fire, high-powered rock & roll called "Bop a Lena." The raw power of Self's singing, coupled with the frantic beat, has resulted in "Bop a Lena" being labeled as the first punk single in some quarters. That might be a bit extreme, but not too far off the mark -- that record moves, and it's just anarchic enough to be recognizable not only to modern rockabilly practitioners like the A-Bones, but lots of punkers as well. Self's career kept rolling, and in 1958 he even got picked for a screen test for the movie Rally Round the Flag, Boys. Meanwhile, "Bop a Lena," issued in the spring of 1958, began climbing the charts and eventually made it to number 68 -- not too high, but at least a beginning, or so it seemed. The single's success was, of course, welcomed, but it could not have come at a worse time. Self had married immediately after the "Bop a Lena" session, and by the time the single started to break around the country, the birth of Self's first child was an imminent prospect. He pulled out of the Phillip Morris tour and never made the screen test because of the birth of his son. Self's dropping out of the package tour was understandable. Coupled with his established reputation as something of a wild man and being somewhat unreliable, however, it led to his being all but barred from any major engagements, just as "Bop a Lena" was getting airplay and starting to generate sales. No live television variety show (and almost all of them were live then) was willing to book him for fear that he wouldn't turn up, "Bop a Lena" stalled low on the charts and disappeared soon after. By the end of 1958, Self was dropped by Columbia Records. It was a year of between his final Columbia session in March of 1958 and his next one, for Decca as part of a three-year contract, in the summer of 1959. He never charted a song as a recording artist during his time with Decca, but he did see some success as a songwriter when Brenda Lee covered "I'm Sorry." He had other songs covered by Lee, and also by Jerry Lee, among other artists, and it was his songwriting that gave Self what little solvency he had in those years. He left Decca in 1962 without a hit or many prospects and was signed to the Kapp label, where he cut a pair of songs, "Houdini" and "Bless My Broken Heart." On August 28, 1981, he died in Springfield, MO. Self left behind some 30 songs, and what is amazing is their sheer quality. As a singer and recording artist, he was a triple threat, equally strong as a singer of country ballads, hot white (and white-hot) R&B, and some of the fastest, most bracing rockabilly heard this side of the Sparkletones. It's been said too many times about too many performers, but as a singer, Self could have been another Elvis Presley, and had the potential to be bigger -- he lacked Elvis' dark, brooding, charismatic sexuality (although he had a dark side, to be sure), which translated well onscreen, but he could take a song and turn it into the hottest piece of Dixie-fried rock & roll this side of Perkins, and with a frantic Jerry Lee edge to it as well. He may have been a little too country-fried for the rock & roll market after 1956 (a problem that Perkins also ran into), but his songwriting had enough variety to keep his stuff fascinating, and the quality of his music was extraordinary. ~ Bruce Eder, All Music Guide

Author: JBauder1948
Keywords: rockabilly 1958
Added: July 5, 2008

An overview
The beginning of an ongoing dialogue about the campaign and the candidates and the prospects for the future. Opinion about the election and my observeations since January.
http://digg.com/political_opinion/An_overview

More Obama lies from his own website
According to BarackObama.com, Barack Obama "put his political career on the line" campaigning as "a candidate for the United States Senate in 2002" when he opposed going to war in Iraq. The problem is he didn't announce his Senate candidacy until January, 2003.
http://digg.com/2008_us_elections/More_Obama_lies_from_his_own_website

The Voice Of Magilla Gorilla...
Was....Allan MelvinWho passed away January 17th of this year...
http://digg.com/television/The_Voice_Of_Magilla_Gorilla

2008 Taipei 101 new year fireworks display
An amazing fireworks display at the Taipei 101 sky scaper on 1 January 2008.
http://digg.com/arts_culture/2008_Taipei_101_new_year_fireworks_display

Va. Bishop Apologizes Over Girl's Abortion
Leaders of a Richmond-based Catholic charity under federal investigation are scrambling to explain the organization's involvement in helping a 16-year-old illegal immigrant in its care get an abortion in January.
http://digg.com/2008_us_elections/Va_Bishop_Apologizes_Over_Girl_s_Abortion

Did the “Enron of Norway” Pull a Fast One On Microsoft?
Even back in January when Microsoft agreed to pay $1.2 billion for enterprise search company Fast Search & Transfer, it was mired in an accounting scandal and trading in its stock had been suspended. Its aggressive accounting for phantom deals that never materialized earned it the moniker the “Enron of Norway.” But more sordid details keep coming
http://digg.com/microsoft/Did_the_Enron_of_Norway_Pull_a_Fast_One_On_Microsoft

Bust It Baby Ringtone
Bust It Baby is a single by Plies released on January 25, 2008. It is the first single from Plies' second album, Definition of Real which is scheduled to be released on June 10, 2008. The song samples Come Back To Me by Janet Jackson...
http://digg.com/music/Bust_It_Baby_Ringtone_16

Bust It Baby Ringtone
Bust It Baby is a single by Plies released on January 25, 2008. It is the first single from Plies' second album, Definition of Real which is scheduled to be released on June 10, 2008. The song samples Come Back To Me by Janet Jackson. Bust It Baby Pt. 2 is the second part of the two single release of Bust It Baby...
http://digg.com/music/Bust_It_Baby_Ringtone_15

Windows XP, Vista--and Windows 7
Microsoft VP Confirms Windows 7 Ship Date: January 2010
http://digg.com/software/Windows_XP_Vista_and_Windows_7

2020: Not So Far Off
July 4, 2008 January 1, 2020 is now as close as January 1, 1997 (11 1/2 years away). Not long ago seen as a far off year in the future, with 2010 right around the corner, it will not be long before the wee decades of the 21st century close. (cont.)
http://digg.com/political_opinion/2020_Not_So_Far_Off