Patsy
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Aqui un video clip de una convencion de Foley en Washington DC. Tony Morales, Fernan & Rosie Fabregas, Ivan Morales & Millie Morales.Pedro & Patsy Lizardi. Un verdadero Clasico!
Author: yuyomcoy
Keywords: Clasicos Amway Classics Convencion Lizardi Morales Fabregas
Added: August 29, 2008
A look at the Posing Strap Magazines of the 1950's and early 1960's. It's all we had! Music by Patsy Cline.
Author: 4652mixt
Keywords: Gay History Homosexual nude Men sex 1950's short film
Added: August 29, 2008
So many people have sent me info on Molly O'Day, so thought I'd post a song by her. If ya'll like, I'll post another one or two later. Here's a little bio on her:A pioneering vocalist whose soulful, gut-wrenching performances helped redefine the role of the female country solo artist, Molly O'Day's career was relatively brief, but her lasting influence has proven massive. Born Lois LaVerne Williamson on July 9, 1923, to a coal mining family living in a remote Appalachian community in eastern Kentucky, she spent her childhood enamored of cowgirl singers like Patsy Montana, Lulu Belle Wiseman, Texas Ruby Owens, and Lily May Ledford and eventually began singing and playing guitar in a string band with her brothers Cecil ("Skeets") on fiddle and Joe ("Duke") on banjo. In 1939, Skeets began playing on a radio station in Charleston, WV, and his sister soon followed, adopting the stage name "Mountain Fern." A year later, now under the name "Dixie Lee Williamson," she joined guitarist Lynn Davis' band the Forty Niners, and in 1941, she and Davis married. Over the next five years, the Forty Niners extensively toured the South, building a substantial fan base along the way. By the time the group settled in for an extended stay in Louisville, KY, in 1946, the name "Molly O'Day" was firmly entrenched. While Davis and O'Day's duets were popular with audiences, it was her deeply felt solo performances of inspirational songs which had the biggest impact and which led writer/publisher Fred Rose to sign the singer to Columbia Records. There, O'Day performed a number of songs written by a young Hank Williams, whom she had already known from their days on the radio circuit; in fact, it was Williams who taught O'Day her best-loved song, "Tramp on the Street," one of eight tunes she cut during her first studio session in late 1946. Backed by Davis, her brother Skeets, bassist Mac Wiseman, and George "Speedy" Krise on the Dobro, the recordings gave a further boost to O'Day's surging popularity, but already she was having trouble coping with her success. O'Day and Davis spent much of 1947 out of music, but in December of that year she returned to the studio, where she recorded her crowd-pleaser "Matthew Twenty-Four." She and Davis spent much of the next several years on the road, where she began performing religious material almost exclusively; in mid-1949, she cut another session, recording songs like "Teardrops Falling in the Snow," "Poor Ellen Smith," and Williams' "On the Evening Train." In the latter half of the year, O'Day suffered a nervous breakdown and was hospitalized; although she did record again in 1950 and 1951, she largely turned her back on show business afterward, instead focusing on performing in churches. In 1954, Davis became an ordained minister, and in the decades following, the couple preached throughout the coal mining communities of West Virginia. O'Day did record for a few small gospel labels in the 1960s, and in 1973 she and Davis began hosting a daily gospel program on a West Virginia radio station. She died of cancer December 5, 1987. ~ Jason Ankeny, All Music Guide
Author: MoJoPiano
Keywords: Molly O'Day Folk Mountain Bluegrass Country Gospel
Added: August 29, 2008
Purchase: http://www.der.org/films/celebration-of-origins.html The people of the Tana 'Ai region of Flores, Indonesia live in seven ceremonial domains, of which Wai Brama is the largest and the oldest. The people of Wai Brama are shifting cultivators, hunters and gatherers who, unlike their neighbors, have maintained their traditional ceremonial and social system.A Celebration of Origins, filmed in 1980, depicts the first celebration of these rituals since 1960. The rituals, which require the participation of the entire community, had been delayed by poor harvests and epidemics. The film focuses on a small group of ritual leaders who struggle to hold the celebration in the absence of the Source of the Domain, the ritual leader of the community, who died after initiating the rituals.Evoking the contested nature of ritual, the film demonstrates how ritual performance implicates delicate political relationships based on pragmatic alliances, festering antipathies or developing jealousies. Conflict is the thread that weaves together the disparate themes of the film. It is a finely crafted, sensually striking film with a compelling story that focuses on one of the central themes in contemporary anthropological debate: the contested nature of social - and ritual - life.This film complements E. Douglas Lewis' published work on Tana 'Ai, including People of the Source: The Social and Ceremonial Order of Tana Wai Brama on Flores, in addition to the films Timothy and Patsy Asch made in collaboration with anthropologists James J. Fox and Linda Connor on the islands of Roti and Bali.a film by E. Douglas Lewis, Timothy Asch and Patsy Aschdistributed by Documentary Educational Resources
Author: docued
Keywords: Indonesia ritual wai brama politics sociology anthropology documentary film
Added: August 29, 2008
Purchase: http://www.der.org/films/celebration-of-origins.html The people of the Tana 'Ai region of Flores, Indonesia live in seven ceremonial domains, of which Wai Brama is the largest and the oldest. The people of Wai Brama are shifting cultivators, hunters and gatherers who, unlike their neighbors, have maintained their traditional ceremonial and social system.A Celebration of Origins, filmed in 1980, depicts the first celebration of these rituals since 1960. The rituals, which require the participation of the entire community, had been delayed by poor harvests and epidemics. The film focuses on a small group of ritual leaders who struggle to hold the celebration in the absence of the Source of the Domain, the ritual leader of the community, who died after initiating the rituals.Evoking the contested nature of ritual, the film demonstrates how ritual performance implicates delicate political relationships based on pragmatic alliances, festering antipathies or developing jealousies. Conflict is the thread that weaves together the disparate themes of the film. It is a finely crafted, sensually striking film with a compelling story that focuses on one of the central themes in contemporary anthropological debate: the contested nature of social - and ritual - life.This film complements E. Douglas Lewis' published work on Tana 'Ai, including People of the Source: The Social and Ceremonial Order of Tana Wai Brama on Flores, in addition to the films Timothy and Patsy Asch made in collaboration with anthropologists James J. Fox and Linda Connor on the islands of Roti and Bali.a film by E. Douglas Lewis, Timothy Asch and Patsy Aschdistributed by Documentary Educational Resources
Author: docued
Keywords: Indonesia ritual wai brama politics sociology anthropology documentary film
Added: August 29, 2008
Purchase: http://www.der.org/films/celebration-of-origins.html The people of the Tana 'Ai region of Flores, Indonesia live in seven ceremonial domains, of which Wai Brama is the largest and the oldest. The people of Wai Brama are shifting cultivators, hunters and gatherers who, unlike their neighbors, have maintained their traditional ceremonial and social system.A Celebration of Origins, filmed in 1980, depicts the first celebration of these rituals since 1960. The rituals, which require the participation of the entire community, had been delayed by poor harvests and epidemics. The film focuses on a small group of ritual leaders who struggle to hold the celebration in the absence of the Source of the Domain, the ritual leader of the community, who died after initiating the rituals.Evoking the contested nature of ritual, the film demonstrates how ritual performance implicates delicate political relationships based on pragmatic alliances, festering antipathies or developing jealousies. Conflict is the thread that weaves together the disparate themes of the film. It is a finely crafted, sensually striking film with a compelling story that focuses on one of the central themes in contemporary anthropological debate: the contested nature of social - and ritual - life.This film complements E. Douglas Lewis' published work on Tana 'Ai, including People of the Source: The Social and Ceremonial Order of Tana Wai Brama on Flores, in addition to the films Timothy and Patsy Asch made in collaboration with anthropologists James J. Fox and Linda Connor on the islands of Roti and Bali.a film by E. Douglas Lewis, Timothy Asch and Patsy Aschdistributed by Documentary Educational Resources
Author: docued
Keywords: Indonesia ritual wai brama politics sociology anthropology documentary film
Added: August 29, 2008
Purchase: http://www.der.org/films/celebration-of-origins.html The people of the Tana 'Ai region of Flores, Indonesia live in seven ceremonial domains, of which Wai Brama is the largest and the oldest. The people of Wai Brama are shifting cultivators, hunters and gatherers who, unlike their neighbors, have maintained their traditional ceremonial and social system.A Celebration of Origins, filmed in 1980, depicts the first celebration of these rituals since 1960. The rituals, which require the participation of the entire community, had been delayed by poor harvests and epidemics. The film focuses on a small group of ritual leaders who struggle to hold the celebration in the absence of the Source of the Domain, the ritual leader of the community, who died after initiating the rituals.Evoking the contested nature of ritual, the film demonstrates how ritual performance implicates delicate political relationships based on pragmatic alliances, festering antipathies or developing jealousies. Conflict is the thread that weaves together the disparate themes of the film. It is a finely crafted, sensually striking film with a compelling story that focuses on one of the central themes in contemporary anthropological debate: the contested nature of social - and ritual - life.This film complements E. Douglas Lewis' published work on Tana 'Ai, including People of the Source: The Social and Ceremonial Order of Tana Wai Brama on Flores, in addition to the films Timothy and Patsy Asch made in collaboration with anthropologists James J. Fox and Linda Connor on the islands of Roti and Bali.a film by E. Douglas Lewis, Timothy Asch and Patsy Aschdistributed by Documentary Educational Resources
Author: docued
Keywords: Indonesia ritual wai brama politics sociology anthropology documentary film
Added: August 29, 2008
Flickr (photos about Patsy)
![[Patsy Donovan, Red Sox manager (baseball)] (LOC)](http://static.flickr.com/2230/2163466054_e25e692d78_s.jpg "[Patsy Donovan, Red Sox manager (baseball)] (LOC)")
Digg (news relevants about Patsy)
The Arkansas Razorbacks will open the season by shamelessly stomping an inferior team. Unlike most of those whip-a-patsy games, however, this one will actually be interesting.
http://digg.com/football/Beating_up_on_a_pack_of_scrubs_may_actually_mean_something
It would be worth the trip to New York if you could eat for 90 cents!
http://digg.com/travel_places/Patsy_s_Restaurant_In_New_York_Charges_Like_It_s_1933
Spitting Bullets has been announced as the unofficial organiser of the London 2012 Official Olympic Games Opening Ceremony. Margaret thatcher, Boris Johnson and Gordon Brown line up alongside Ant & Dec, Simon Cowell and Patsy Palmer. Check out the amazing schedule now and book your tickets today.....!
http://digg.com/comedy/London_2012_Spitting_Bullets_Announced_As_Organisers
Thanks to Cousin Patsy for this video of the funny lifeguard.
http://digg.com/comedy/Funny_Lifeguard
For Immediate Release Contact: Patsy Herrington The W.H. Stark House 409.883.0871 info@whstarkhouse.org pherrington@whstarkhouse.org
http://digg.com/travel_places/The_W_H_Stark_House_Launches_New_Web_Site
Patsy Herrington The W.H. Stark House 409.883.0871 info@whstarkhouse.org pherrington@whstarkhouse.org
http://digg.com/travel_places/The_W_H_Stark_House_Completes_Painting_Project_Orange_TX
Back is producer Brian Ahern, the man who helmed the board for much of Harris' 70's and 80's work, and there are some shout outs to the ghosts of country past - a patsy Cline reference in "Broken Man's Lament," a cover of Merle Haggard's "Kern River," and a guest appearance by Dolly Parton
http://digg.com/music/Emmylou_Harris_All_I_Intended_to_Be
Current geopolitics point toward a potential "false flag" attack on the US by Sunni Islamics backed by Russia with Iran acting as patsy and US/Israel as useful idiots. The attack would put Russia in control of Iran's oil, split the US into urban vs rural factions and make Russia the leading superpower.
http://digg.com/political_opinion/Weather_Balloon_Suitcase_Nuke_Payloads_to_Disable_the_US
[Anthrax] Case Analysis in a Nutshell: 13 serious problems with the FBI's joke of a circumstantial case against Ivins; apparently, he was a patsy.
http://digg.com/political_opinion/Meryl_Nass_M_D_Conclusive_evidence_of_means_motive_and_o
Mr. Helms played on Patsy Cline's "Walkin' After Midnight," as well as many of Hank Williams Sr.'s iconic recordings.
http://digg.com/music/Steel_player_behind_Hank_Sr_classics_Don_Helms_dies_at_81