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Brooklyn Heights
Author: ungertwins
Keywords: Brooklyn Heights Waterfall Jane Georgia Summer NYC twins unger fun
Added: August 29, 2008
Excerpts from "Paranoia 1.0" with The Neighbor (Bruce Payne). He makes virtual reality porn films...
Author: ArielAvedon
Keywords: Bruce Payne Paranoia 1.0 Jeremy Sisto Deborah Unger naughty neighbor s&m
Added: August 29, 2008
Avedøre gymnasium "introfest"hvor de to unger finder kærligheden :PTrue Love :D
Author: highclassyusii
Keywords: Nina og Lasse AG's Unge par
Added: August 29, 2008
Ferdinand Frantz (1906-1959)Ferdinand Frantz was among the extraordinary Wagnerian bass-baritones of the post-war years. He had the right vocal authority for the heroic role of Wotan a sizeable instrument with a weighty lower register and firm and powerful and solid top notes, moreover he possessed the stamina needed to sing Wagnerian roles on stage and did not lack the sensitivity to fine down his voice for the more poetic, intimate pages. Several of his most important roles were captured on both live and studio recordings during the years of his prime. Notable are two complete ring cycles performances recorded under Furtwangler (La Scala 1950 and Rai Rome 1954) and a studio Walkure always with Furtwangler (1953), Teleramund in studio with Jochum conducting and his Hans Sachs recorded twice with Rudolf Kempe (Dresden 1951 and Berlin 1956). He sang with the Vienna Staatsoper, Dresden's Semper Oper, Salzburg, La Scala, and, later, at Covent Garden. His Metropolitan Opera debut came on December 12, 1949, as Wotan in Die Walküre. This extract is from the Berlin recording of Meistersinger, recorded for EMI in 1956, alongside Frantz were Rudolf Schock, Elisabeth Grummer, Gottlob Frick, Gerhard Unger and Benno Kusche as well as the very young Hermann Prey in the tiny role of the Nightwatch. This recording may have been surpassed by others from a technological point of view but the artistic quality, the sheer essence of this, perhaps Wagner's most elusive opera has never been so perfectly captured as in this legendary recording. Rudolf Kempe conducts the BerlinPhilharmonic Wahn! Wahn!Überall Wahn!Wohin ich forschend blick',in Stadt- und Weltchronik,den Grund mir aufzufinden,warum gar bis aufs Blutdie Leut' sich quälen und schindenin unnütz toller Wut!Hat keiner Lohnnoch Dank davon:in Flucht geschlagen,wähnt er zu jagen;hört nicht sein eigen Schmerzgekreisch,wenn er sich wühlt ins eig'ne Fleisch,wähnt Lust sich zu erzeigen!Wer gibt den Namen an?'s ist halt der alte Wahn,ohn' den nichts mag geschehen,'s mag gehen oder stehen!Steht's wo im Lauf,er schläft nur neue Kraft sich an:gleich wacht er auf,dann schaut, wer ihn bemeistern kann!Wie friedsam treuer Sitten,getrost in Tat und Werk,liegt nicht in Deutschlands Mittenmein liebes Nürenberg!Doch eines Abends spat,ein Unglück zu verhütenbei jugendheissen Gemüten,ein Mann weiss sich nicht Rat;ein Schuster in seinem Ladenzieht an des Wahnes Faden;wie bald auf Gassen und Strassenfängt der da an zu rasen!Mann, Weib, Gesell und Kindfällt sich da an wie toll und blind;und will's der Wahn gesegnen,nun muss es Prügel regnen,mit Hieben, Stoss' und Dreschenden Wutesbrand zu löschen.Gott weiss, wie das geschah?Ein Kobold half wohl da:ein Glühwurm fand sein Weibchen nicht;der hat den Schaden angericht't.Der Flieder war's: Johannisnacht!Nun aber kam Johannistag!Jetzt schaun wir, wie Hans Sachs es macht,dass er den Wahn fein lenken mag,ein edler Werk zu tun:denn lässt er uns nicht ruh'n,selbst hier in Nürenberg,so sei's um solche Werk',die selten vor gemeinen Dingenund nie ohn' ein'gen Wahn gelingen.Madness! Madness!Everywhere madness!Wherever I look searchinglyin city and world chronicles,to seek out the reasonwhy, till they draw blood,people torment and flay each otherin useless, foolish anger!No-one has rewardor thanks for it:driven to flight,he thinks he is hunting;hears not his own cry of pain;when he digs into his own fleshhe thinks he is giving himself pleasure!Who will give it its name?It is the old madness,without which nothing can happen,nothing whatever!If it halts somewhere in its courseit is only to gain new strenght in sleep:suddenly it awakens,then see who can master it!How peacefully with its staunch customs,contented in deed and work,lies, in the middle of Germany,my dear Nuremberg!But one evening late,to prevent a mishapcaused by youthful ardour,a man knows not what to do;a cobbler in his shopplucks at the thread of madness:how soon in alleys and streetsit begins to rage!Man, woman, journeyman, and childfall upon each other as if crazed and blind;and if madness prevails,it must now rain blows,with cuts, blows, and thrashingsto quench the fire of anger.God knows how that befell!A goblin must have helped:a glow-worm could not find its mate;it set the trouble in motion.It was the elder-tree: Midsummer Eve!But now has come Midsummer Day!Now let us see how Hans Sachs managesfinely to guide the madnessso as to perform a nobler work:for if madness won't leave us in peaceeven here in Nuremberg,then let it be in the service of such worksas are seldom successful in plain activitiesand never so without a touch of madness.
Author: CzarDodon
Keywords: Wagner Frantz Hans Sachs Meistersinger Kempe
Added: August 29, 2008
Ferdinand Frantz (1906-1959)Ferdinand Frantz was among the extraordinary Wagnerian bass-baritones of the post-war years. He had the right vocal authority for the heroic role of Wotan a sizeable instrument with a weighty lower register and firm and powerful and solid top notes, moreover he possessed the stamina needed to sing Wagnerian roles on stage and did not lack the sensitivity to fine down his voice for the more poetic, intimate pages. Several of his most important roles were captured on both live and studio recordings during the years of his prime. Notable are two complete ring cycles performances recorded under Furtwangler (La Scala 1950 and Rai Rome 1954) and a studio Walkure always with Furtwangler (1953), Teleramund in studio with Jochum conducting and his Hans Sachs recorded twice with Rudolf Kempe (Dresden 1951 and Berlin 1956). He sang with the Vienna Staatsoper, Dresden's Semper Oper, Salzburg, La Scala, and, later, at Covent Garden. His Metropolitan Opera debut came on December 12, 1949, as Wotan in Die Walküre. This extract is from the Berlin recording of Meistersinger, recorded for EMI in 1956, alongside Frantz were Rudolf Schock, Elisabeth Grummer, Gottlob Frick, Gerhard Unger and Benno Kusche as well as the very young Hermann Prey in the tiny role of the Nightwatch. This recording may have been surpassed by others from a technological point of view but the artistic quality, the sheer essence of this, perhaps Wagner's most elusive opera has never been so perfectly captured as in this legendary recording. Rudolf Kempe conducts the BerlinPhilharmonic Wahn! Wahn!Überall Wahn!Wohin ich forschend blick',in Stadt- und Weltchronik,den Grund mir aufzufinden,warum gar bis aufs Blutdie Leut' sich quälen und schindenin unnütz toller Wut!Hat keiner Lohnnoch Dank davon:in Flucht geschlagen,wähnt er zu jagen;hört nicht sein eigen Schmerzgekreisch,wenn er sich wühlt ins eig'ne Fleisch,wähnt Lust sich zu erzeigen!Wer gibt den Namen an?'s ist halt der alte Wahn,ohn' den nichts mag geschehen,'s mag gehen oder stehen!Steht's wo im Lauf,er schläft nur neue Kraft sich an:gleich wacht er auf,dann schaut, wer ihn bemeistern kann!Wie friedsam treuer Sitten,getrost in Tat und Werk,liegt nicht in Deutschlands Mittenmein liebes Nürenberg!Doch eines Abends spat,ein Unglück zu verhütenbei jugendheissen Gemüten,ein Mann weiss sich nicht Rat;ein Schuster in seinem Ladenzieht an des Wahnes Faden;wie bald auf Gassen und Strassenfängt der da an zu rasen!Mann, Weib, Gesell und Kindfällt sich da an wie toll und blind;und will's der Wahn gesegnen,nun muss es Prügel regnen,mit Hieben, Stoss' und Dreschenden Wutesbrand zu löschen.Gott weiss, wie das geschah?Ein Kobold half wohl da:ein Glühwurm fand sein Weibchen nicht;der hat den Schaden angericht't.Der Flieder war's: Johannisnacht!Nun aber kam Johannistag!Jetzt schaun wir, wie Hans Sachs es macht,dass er den Wahn fein lenken mag,ein edler Werk zu tun:denn lässt er uns nicht ruh'n,selbst hier in Nürenberg,so sei's um solche Werk',die selten vor gemeinen Dingenund nie ohn' ein'gen Wahn gelingen.Madness! Madness!Everywhere madness!Wherever I look searchinglyin city and world chronicles,to seek out the reasonwhy, till they draw blood,people torment and flay each otherin useless, foolish anger!No-one has rewardor thanks for it:driven to flight,he thinks he is hunting;hears not his own cry of pain;when he digs into his own fleshhe thinks he is giving himself pleasure!Who will give it its name?It is the old madness,without which nothing can happen,nothing whatever!If it halts somewhere in its courseit is only to gain new strenght in sleep:suddenly it awakens,then see who can master it!How peacefully with its staunch customs,contented in deed and work,lies, in the middle of Germany,my dear Nuremberg!But one evening late,to prevent a mishapcaused by youthful ardour,a man knows not what to do;a cobbler in his shopplucks at the thread of madness:how soon in alleys and streetsit begins to rage!Man, woman, journeyman, and childfall upon each other as if crazed and blind;and if madness prevails,it must now rain blows,with cuts, blows, and thrashingsto quench the fire of anger.God knows how that befell!A goblin must have helped:a glow-worm could not find its mate;it set the trouble in motion.It was the elder-tree: Midsummer Eve!But now has come Midsummer Day!Now let us see how Hans Sachs managesfinely to guide the madnessso as to perform a nobler work:for if madness won't leave us in peaceeven here in Nuremberg,then let it be in the service of such worksas are seldom successful in plain activitiesand never so without a touch of madness.
Author: CzarDodon
Keywords: Wagner Frantz Hans Sachs Meistersinger Kempe
Added: August 29, 2008
Ferdinand Frantz (1906-1959)Ferdinand Frantz was among the extraordinary Wagnerian bass-baritones of the post-war years. He had the right vocal authority for the heroic role of Wotan a sizeable instrument with a weighty lower register and firm and powerful and solid top notes, moreover he possessed the stamina needed to sing Wagnerian roles on stage and did not lack the sensitivity to fine down his voice for the more poetic, intimate pages. Several of his most important roles were captured on both live and studio recordings during the years of his prime. Notable are two complete ring cycles performances recorded under Furtwangler (La Scala 1950 and Rai Rome 1954) and a studio Walkure always with Furtwangler (1953), Teleramund in studio with Jochum conducting and his Hans Sachs recorded twice with Rudolf Kempe (Dresden 1951 and Berlin 1956). He sang with the Vienna Staatsoper, Dresden's Semper Oper, Salzburg, La Scala, and, later, at Covent Garden. His Metropolitan Opera debut came on December 12, 1949, as Wotan in Die Walküre. This extract is from the Berlin recording of Meistersinger, recorded for EMI in 1956, alongside Frantz were Rudolf Schock, Elisabeth Grummer, Gottlob Frick, Gerhard Unger and Benno Kusche as well as the very young Hermann Prey in the tiny role of the Nightwatch. This recording may have been surpassed by others from a technological point of view but the artistic quality, the sheer essence of this, perhaps Wagner's most elusive opera has never been so perfectly captured as in this legendary recording. Rudolf Kempe conducts the BerlinPhilharmonic Wahn! Wahn!Überall Wahn!Wohin ich forschend blick',in Stadt- und Weltchronik,den Grund mir aufzufinden,warum gar bis aufs Blutdie Leut' sich quälen und schindenin unnütz toller Wut!Hat keiner Lohnnoch Dank davon:in Flucht geschlagen,wähnt er zu jagen;hört nicht sein eigen Schmerzgekreisch,wenn er sich wühlt ins eig'ne Fleisch,wähnt Lust sich zu erzeigen!Wer gibt den Namen an?'s ist halt der alte Wahn,ohn' den nichts mag geschehen,'s mag gehen oder stehen!Steht's wo im Lauf,er schläft nur neue Kraft sich an:gleich wacht er auf,dann schaut, wer ihn bemeistern kann!Wie friedsam treuer Sitten,getrost in Tat und Werk,liegt nicht in Deutschlands Mittenmein liebes Nürenberg!Doch eines Abends spat,ein Unglück zu verhütenbei jugendheissen Gemüten,ein Mann weiss sich nicht Rat;ein Schuster in seinem Ladenzieht an des Wahnes Faden;wie bald auf Gassen und Strassenfängt der da an zu rasen!Mann, Weib, Gesell und Kindfällt sich da an wie toll und blind;und will's der Wahn gesegnen,nun muss es Prügel regnen,mit Hieben, Stoss' und Dreschenden Wutesbrand zu löschen.Gott weiss, wie das geschah?Ein Kobold half wohl da:ein Glühwurm fand sein Weibchen nicht;der hat den Schaden angericht't.Der Flieder war's: Johannisnacht!Nun aber kam Johannistag!Jetzt schaun wir, wie Hans Sachs es macht,dass er den Wahn fein lenken mag,ein edler Werk zu tun:denn lässt er uns nicht ruh'n,selbst hier in Nürenberg,so sei's um solche Werk',die selten vor gemeinen Dingenund nie ohn' ein'gen Wahn gelingen.Madness! Madness!Everywhere madness!Wherever I look searchinglyin city and world chronicles,to seek out the reasonwhy, till they draw blood,people torment and flay each otherin useless, foolish anger!No-one has rewardor thanks for it:driven to flight,he thinks he is hunting;hears not his own cry of pain;when he digs into his own fleshhe thinks he is giving himself pleasure!Who will give it its name?It is the old madness,without which nothing can happen,nothing whatever!If it halts somewhere in its courseit is only to gain new strenght in sleep:suddenly it awakens,then see who can master it!How peacefully with its staunch customs,contented in deed and work,lies, in the middle of Germany,my dear Nuremberg!But one evening late,to prevent a mishapcaused by youthful ardour,a man knows not what to do;a cobbler in his shopplucks at the thread of madness:how soon in alleys and streetsit begins to rage!Man, woman, journeyman, and childfall upon each other as if crazed and blind;and if madness prevails,it must now rain blows,with cuts, blows, and thrashingsto quench the fire of anger.God knows how that befell!A goblin must have helped:a glow-worm could not find its mate;it set the trouble in motion.It was the elder-tree: Midsummer Eve!But now has come Midsummer Day!Now let us see how Hans Sachs managesfinely to guide the madnessso as to perform a nobler work:for if madness won't leave us in peaceeven here in Nuremberg,then let it be in the service of such worksas are seldom successful in plain activitiesand never so without a touch of madness.
Author: CzarDodon
Keywords: Wagner Frantz Hans Sachs Meistersinger Kempe
Added: August 29, 2008
Ferdinand Frantz (1906-1959)Ferdinand Frantz was among the extraordinary Wagnerian bass-baritones of the post-war years. He had the right vocal authority for the heroic role of Wotan a sizeable instrument with a weighty lower register and firm and powerful and solid top notes, moreover he possessed the stamina needed to sing Wagnerian roles on stage and did not lack the sensitivity to fine down his voice for the more poetic, intimate pages. Several of his most important roles were captured on both live and studio recordings during the years of his prime. Notable are two complete ring cycles performances recorded under Furtwangler (La Scala 1950 and Rai Rome 1954) and a studio Walkure always with Furtwangler (1953), Teleramund in studio with Jochum conducting and his Hans Sachs recorded twice with Rudolf Kempe (Dresden 1951 and Berlin 1956). He sang with the Vienna Staatsoper, Dresden's Semper Oper, Salzburg, La Scala, and, later, at Covent Garden. His Metropolitan Opera debut came on December 12, 1949, as Wotan in Die Walküre. This extract is from the Berlin recording of Meistersinger, recorded for EMI in 1956, alongside Frantz were Rudolf Schock, Elisabeth Grummer, Gottlob Frick, Gerhard Unger and Benno Kusche as well as the very young Hermann Prey in the tiny role of the Nightwatch. This recording may have been surpassed by others from a technological point of view but the artistic quality, the sheer essence of this, perhaps Wagner's most elusive opera has never been so perfectly captured as in this legendary recording. Rudolf Kempe conducts the BerlinPhilharmonic Wahn! Wahn!Überall Wahn!Wohin ich forschend blick',in Stadt- und Weltchronik,den Grund mir aufzufinden,warum gar bis aufs Blutdie Leut' sich quälen und schindenin unnütz toller Wut!Hat keiner Lohnnoch Dank davon:in Flucht geschlagen,wähnt er zu jagen;hört nicht sein eigen Schmerzgekreisch,wenn er sich wühlt ins eig'ne Fleisch,wähnt Lust sich zu erzeigen!Wer gibt den Namen an?'s ist halt der alte Wahn,ohn' den nichts mag geschehen,'s mag gehen oder stehen!Steht's wo im Lauf,er schläft nur neue Kraft sich an:gleich wacht er auf,dann schaut, wer ihn bemeistern kann!Wie friedsam treuer Sitten,getrost in Tat und Werk,liegt nicht in Deutschlands Mittenmein liebes Nürenberg!Doch eines Abends spat,ein Unglück zu verhütenbei jugendheissen Gemüten,ein Mann weiss sich nicht Rat;ein Schuster in seinem Ladenzieht an des Wahnes Faden;wie bald auf Gassen und Strassenfängt der da an zu rasen!Mann, Weib, Gesell und Kindfällt sich da an wie toll und blind;und will's der Wahn gesegnen,nun muss es Prügel regnen,mit Hieben, Stoss' und Dreschenden Wutesbrand zu löschen.Gott weiss, wie das geschah?Ein Kobold half wohl da:ein Glühwurm fand sein Weibchen nicht;der hat den Schaden angericht't.Der Flieder war's: Johannisnacht!Nun aber kam Johannistag!Jetzt schaun wir, wie Hans Sachs es macht,dass er den Wahn fein lenken mag,ein edler Werk zu tun:denn lässt er uns nicht ruh'n,selbst hier in Nürenberg,so sei's um solche Werk',die selten vor gemeinen Dingenund nie ohn' ein'gen Wahn gelingen.Madness! Madness!Everywhere madness!Wherever I look searchinglyin city and world chronicles,to seek out the reasonwhy, till they draw blood,people torment and flay each otherin useless, foolish anger!No-one has rewardor thanks for it:driven to flight,he thinks he is hunting;hears not his own cry of pain;when he digs into his own fleshhe thinks he is giving himself pleasure!Who will give it its name?It is the old madness,without which nothing can happen,nothing whatever!If it halts somewhere in its courseit is only to gain new strenght in sleep:suddenly it awakens,then see who can master it!How peacefully with its staunch customs,contented in deed and work,lies, in the middle of Germany,my dear Nuremberg!But one evening late,to prevent a mishapcaused by youthful ardour,a man knows not what to do;a cobbler in his shopplucks at the thread of madness:how soon in alleys and streetsit begins to rage!Man, woman, journeyman, and childfall upon each other as if crazed and blind;and if madness prevails,it must now rain blows,with cuts, blows, and thrashingsto quench the fire of anger.God knows how that befell!A goblin must have helped:a glow-worm could not find its mate;it set the trouble in motion.It was the elder-tree: Midsummer Eve!But now has come Midsummer Day!Now let us see how Hans Sachs managesfinely to guide the madnessso as to perform a nobler work:for if madness won't leave us in peaceeven here in Nuremberg,then let it be in the service of such worksas are seldom successful in plain activitiesand never so without a touch of madness.
Author: CzarDodon
Keywords: Wagner Frantz Hans Sachs Meistersinger Kempe
Added: August 29, 2008
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Little is more tragic than purchasing a vacation home ... or two .... or three and then forgetting that you have them. Luckily, there's help. Humorist Brian Unger introduces us to a new service that offers hope for those suffering from REA or Real Estate Amnesia.
http://digg.com/world_news/A_Cure_for_Real_Estate_Amnesia_The_Unger_Report
Tomi Ungerer, an artist equally at home with political art, children’s books and dark erotica, returns to American bookstores.
http://digg.com/design/Watch_the_Children_That_Subversive_Is_Back
O Ipea (Instituto de Pesquisa Econômica Aplicada) não divulgará mais, a cada trimestre, as projeções para o cenário econômico. A ordem é da diretoria do órgão, que é subordinado à secretaria de Planejamento de Longo Prazo, dirigida pelo ministro Mangabeira Unger.
http://digg.com/politics/Por_orientacao_da_Presidencia_Ipea_cancela_projecoes
A Plea For Help Tonight ... From Corky's BBQ. Some Bold Thieves Walk Off With Something Near And Dear To Everyone's Heart. A Very Big Pig. We Put NBC 33's Lauren Unger On The Case To Solve This Very Big Pig Puzzle.
http://digg.com/odd_stuff/Find_The_Pig_Corky_s_BBQ_Says_Someone_Stole_Their_Porker
There's been a lot of hype about Apple's new iPhone. Brian Unger says his experience with the device has been anything but problem-free, however.
http://digg.com/apple/A_Letter_to_Steve_Jobs_Mourning_My_iPhone
An interesting look at the turbulent life of Stu Unger
http://digg.com/people/WSOP_History_1997_The_Kid_Dazzles_Fremont_Street
Roberto Mangabeira Unger’s journey through American academe and Brazilian politics has been long, tedious and fraught with challenges, but he wouldn’t have it any other way. Born in Rio de Janeiro, Unger moved to New York at 6 months old, before moving back to Brazil only five years later. Unger’s ideas draw much condemnation from
http://digg.com/people/Innovators_Roberto_Mangabeira_Unger_findingDulcinea
This is a brief history of the World Series of Poker by Nolan Dalla.From Moss to Gold with all the 'Key' players involved.Binion,Unger...
http://digg.com/other_sports/World_Series_of_Poker_Brief_History
John T Unger has a great post on the sometimes overlooked problem of blog code debug. He lists online tools and ideas on finding those nasty problems that can cause your blog look broken. Well worth the read.One small addition: besides browsershots browsercam also provides screenshots of your site displayed in various browsers a
http://digg.com/programming/Debug_your_blog
RawVegas.tv was at the exclusive premiere for the new Al Pacino flick 88 Minutes. Denise Pernula talked with cast members Alicia Witt, Leelee Sobieski, Amy Brenneman, Deborah Kara Unger, Benjamin McKenzie, Director, Jon Avnet and of course Pacino himself.
http://digg.com/movies/88_Minutes_Premiere_Planet_Hollywood