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NEW SERIES! WATCH VIDEO FIRST!!BTW- i am VERY sarcastic, and Bryce is my ex. just FYI.Main Charatcer: Me-Jamie.~~~~~~~~~~~~~~~~~~~~~~*1st Day of School @ 7:30AM**mom's shaking me to wake me up*Jamie: *groan* Mooooooooommmmm. 5 more minutes.Mom: That's what you said 20 minutes ago Jamie. Wake up, it's the first day of 7th grade. You don't wanna miss that do you?Jamie: *thinks and groans again* Fine...i'm up. *i roll out of bed and head to my dresser* Now what to wear...*phone rings* Now who could that be? *i walk to my computer desk and pick up my phone* Heller?!Tiffany: Good morning!! I can't believe it's the first day!! Aren't you excited?! You get to see Bryce!! Jamie: *sigh. thinking- yeah..i know. but what if he doesn't look the same! he said he got a haircut! what if it looks ugly!!*shudder* Yeah...i guess.Tiffany: Well i gotta go! We're leaving.Jamie: Ok. Later Tiffany.*hang up. i walk back to my dresser*Jamie: This is cute...*i sit on my carpet and lay down my navy blue low cut shirt and silver polka-dot spaghetti-strap shirt to go under it with my blue jean capris. i shrug and put it on then walk into the kitchen*Mom: That's cute!Jamie: *i look at my outfit* Thanks. *i open the cabinet and look at what we have* Wow, i haven't seen this much food in i don't know how long!Mom: Well we have to have more now, Katie and Derek bring their lunches everyday.Jamie: *i grab a box of cereal and put it on the counter while i walk to the fridge to get the milk* Mom: *grabs a spoon out of the drawer and hands it to me* So you get to see Bryce today huh? *leans against the counter waiting for my answer with a big smile on her face*Jamie: Yeah.. *i grab a bowl from the other cabinet and pour the cereal and milk into it*Mom: You don't seem very excited. What's wrong?Jamie: *i shrug. i don't really know what's wrong. but something just doesn't feel right* Nothing. *i take a bite of my cereal, grab my bowl, and walk to the living room*Mom: Ok. Well do you want me to plug up the straightner?Jamie: Yeah. Thanks mom. *i turn on the TV* Little Einstines? NO WAY! *flip to channel 311* Sabrina! *8AM i'm done with my cereal and i put my bowl and spoon in the sink and walk to my mom's bathroom*Mom: Here. *hands me the straightner*Jamie: *i look at her*Mom: You want me to do it?Jamie: *i nod and step in front of her* Yes please.Mom: Well we gotta comb it first. *grabs my purple hairbrush and starts stroking through my hair* There. *she starts straighting my hair*~~20 min later~~Mom: Ok. We're done.Jamie: Thanks mom. *i grab my make-up bag* Let's see...blush *pull it out and set it on counter* eye shadow *put it on counter* and... lip gloss * set it on counter* *i brush my teeth, dry my face, and get to work. I put on my blush first. Then my eye shadow, then lip gloss. I look at myself and tilt my head in the mirror* What's missing...? *i look at my mom's make-up bag ans see her mascara* MOM!!*My mom comes walking in*Mom: Yes?Jamie: Do you have any water-proof mascara?Mom: Water-proof?Jamie: Yeah, my eyes always water. (so true. idk y)Mom: Uhm...*looks in the drawer* I did...i don't know if i still have it, or if i threw it away. *keeps looking with no luck*Jamie: *i look at the clock* Nevermind mom. Let's just go. I don't wanna be late.Mom: Ok. Sorry, i thought i still had some.Jamie: It's ok. *we drive to school*Jamie: Bye mom! Love you! *kiss her cheek*Mom: Have a good day!!Jamie: *already out the door* Ok! *shut the door and walk to the door of the school**thinking- wow, here it goes. my first day of 7th grade. i'm supposed to have two classes with Bryce. my connections (last 2 classes of the day). that'll be cool! well, here does nothing* *i open the front door and then the cafeteria door and walk to where my friends are*Sierra: WOW! You look SO different!!Jamie: *i laugh hoping she means in the good way*Sierra: I love your hair!!Jamie: *i grab my hair, glance at it and smile* Thanks.Tiffany: You look great! Oh my gosh! I love your shirt! Jamie: *laugh* Thanks tiff.Tiffany: I thought you were gonna wear the other one.Jamie: * i put my hand in the air* Nah...this one's cuter.Tiffany: *nods*~~5 minutes later the bell rings and we walk to our lockers~~Tiffany: Dude! Look how close we are!!Jamie: *i smile* Yeah!! Tiffany: Well let's get to our class! I can't believe we have 3 classes together! After having none together since 2nd grade!!Jamie: I know!! *we walk in the door and find a seat* ~~5 minutes later~~*Bryce walks in and sees me and sits down by me. i only got a glance of him, but i don't turn around and automatically start talking to him*Tiffany: *looks behind me and back to me about three times*Jamie: *i look at her* I KNOW!! *i turn around and look at Bryce for the first time since 5th grade*END OF EPISODE- Secrets Uncovered EP.1: 7th Begins
Author: Clearmiley21
Keywords: 7th Begins EP.1: Secrets Uncovered
Added: August 27, 2008
Round about 1995, James and Paul D'Angelo were workshopping several movie ideas as they experimented with the earliest versions of Adobe Premiere editing software for the Mac (long before Final Cut). They read about all the upcoming technology breakthroughs and dreamed about what life would be like when IEEE 1394 (FireWire) would be a reality. So, meanwhile, with a chip on their shoulders (that is a 1 chip Sony DV camera), they shot and edited a bunch of weird skits. Almost with each new video skit, they tried on a new moniker for their production: CashJohn, Dorkdom, Bedhead, Plunger. Excited as they were with the promise of NLEs for the masses, the early versions of Adobe Premiere were nothing short of Excruciating. The biggest trouble was always syncing the video with the audio. There was an audio "drift" that would vary each time you played back your time-line. And so, to output your video and get it synced properly was more a function of luck than of any reliable work-around. By 1997, James and Paul were tired of waiting. Adobe Premiere versions had gotten a little better. So they decided to go for making a feature. In early 1997, James created 3 characters named Larry, Curly, and Joe. He wrote a few scenes involving these "pinches" sitting at a greasy-spoon, paying their respects to some colleagues whose funeral ceremonies are happening down the street after having all been mowed down in a gangland style mass-execution. Oh...And, btw, it's Thanksgiving! Over the course of approximately 9 months, James and Paul fleshed out an entire script based on these same characters: All 3 in one room for several hours, dealing with the complex issues that face each of them now that everyone in their organization--their friends, their bosses, their main sources of income--are all gone. Everything. Everybody...except them. Do they simply pick up the pieces and start over? There are a lot of pieces missing. They soon realize there is a lot they don't know about each other that only a few hours together in a dingy room can bring to the surface. Then, finally, there is also a lot they soon learn about themselves. Why did they survive? Is it destiny, coincidence, or something else beyond what they know? Having been 2 of 4 brothers, growing up mostly lower-middle-class. James and Paul were familiar with the experience of overflowing male energy in a small room. It's what attracts them to movies like Down By Law, and plays like: No Exit, The Dumb Waiter, American Buffalo, True West, and The Accidental Death of an Anarchist. It is what drove them to create Shaking Hands with The Unemployed. This predilection seemed to be the deep unspoken bond that was shared among them and the cast. What else could bring 3 of San Francisco's best actors together to work on a cramped soundstage at Shotwell Studios on a no-budget film? In November and December 1997, Tony Abou-Ganim, Ian Hirsch, and Daniel Maslijn LIVED their roles for a month and a half of production. Oh...And, btw, even on Thanksgiving! All packed together, with film crew (including SF heavy hitters Howard Shack, Chad Grochowski, Rob Lee, Randy Colosky, and Art Wellinski) in a small room. The result: Shaking Hands with The Unemployed. A 70 minute play captured on film. A master ensemble of unforgettable characters weaved together by a playful script that, bit-by-bit, betrays each of them, revealing all their darkest little secrets...Well, almost all. 10 years later, the characters of Shaking Hands with The Unemployed are as irrelevant now as they were in 1997. But their predicament is hauntingly timeless. When the world around us changes, what do we do? Do we adapt? Or do we stick to our old ways, and stay the course regardless of what lies ahead?
Author: JoeyDazzo
Keywords: Shaking Hands with the Unemployed
Added: August 23, 2008
Round about 1995, James and Paul D'Angelo were workshopping several movie ideas as they experimented with the earliest versions of Adobe Premiere editing software for the Mac (long before Final Cut). They read about all the upcoming technology breakthroughs and dreamed about what life would be like when IEEE 1394 (FireWire) would be a reality. So, meanwhile, with a chip on their shoulders (that is a 1 chip Sony DV camera), they shot and edited a bunch of weird skits. Almost with each new video skit, they tried on a new moniker for their production: CashJohn, Dorkdom, Bedhead, Plunger. Excited as they were with the promise of NLEs for the masses, the early versions of Adobe Premiere were nothing short of Excruciating. The biggest trouble was always syncing the video with the audio. There was an audio "drift" that would vary each time you played back your time-line. And so, to output your video and get it synced properly was more a function of luck than of any reliable work-around. By 1997, James and Paul were tired of waiting. Adobe Premiere versions had gotten a little better. So they decided to go for making a feature. In early 1997, James created 3 characters named Larry, Curly, and Joe. He wrote a few scenes involving these "pinches" sitting at a greasy-spoon, paying their respects to some colleagues whose funeral ceremonies are happening down the street after having all been mowed down in a gangland style mass-execution. Oh...And, btw, it's Thanksgiving! Over the course of approximately 9 months, James and Paul fleshed out an entire script based on these same characters: All 3 in one room for several hours, dealing with the complex issues that face each of them now that everyone in their organization--their friends, their bosses, their main sources of income--are all gone. Everything. Everybody...except them. Do they simply pick up the pieces and start over? There are a lot of pieces missing. They soon realize there is a lot they don't know about each other that only a few hours together in a dingy room can bring to the surface. Then, finally, there is also a lot they soon learn about themselves. Why did they survive? Is it destiny, coincidence, or something else beyond what they know? Having been 2 of 4 brothers, growing up mostly lower-middle-class. James and Paul were familiar with the experience of overflowing male energy in a small room. It's what attracts them to movies like Down By Law, and plays like: No Exit, The Dumb Waiter, American Buffalo, True West, and The Accidental Death of an Anarchist. It is what drove them to create Shaking Hands with The Unemployed. This predilection seemed to be the deep unspoken bond that was shared among them and the cast. What else could bring 3 of San Francisco's best actors together to work on a cramped soundstage at Shotwell Studios on a no-budget film? In November and December 1997, Tony Abou-Ganim, Ian Hirsch, and Daniel Maslijn LIVED their roles for a month and a half of production. Oh...And, btw, even on Thanksgiving! All packed together, with film crew (including SF heavy hitters Howard Shack, Chad Grochowski, Rob Lee, Randy Colosky, and Art Wellinski) in a small room. The result: Shaking Hands with The Unemployed. A 70 minute play captured on film. A master ensemble of unforgettable characters weaved together by a playful script that, bit-by-bit, betrays each of them, revealing all their darkest little secrets...Well, almost all. 10 years later, the characters of Shaking Hands with The Unemployed are as irrelevant now as they were in 1997. But their predicament is hauntingly timeless. When the world around us changes, what do we do? Do we adapt? Or do we stick to our old ways, and stay the course regardless of what lies ahead?
Author: JoeyDazzo
Keywords: Shaking Hands with the Unemployed
Added: August 23, 2008
Round about 1995, James and Paul D'Angelo were workshopping several movie ideas as they experimented with the earliest versions of Adobe Premiere editing software for the Mac (long before Final Cut). They read about all the upcoming technology breakthroughs and dreamed about what life would be like when IEEE 1394 (FireWire) would be a reality. So, meanwhile, with a chip on their shoulders (that is a 1 chip Sony DV camera), they shot and edited a bunch of weird skits. Almost with each new video skit, they tried on a new moniker for their production: CashJohn, Dorkdom, Bedhead, Plunger. Excited as they were with the promise of NLEs for the masses, the early versions of Adobe Premiere were nothing short of Excruciating. The biggest trouble was always syncing the video with the audio. There was an audio "drift" that would vary each time you played back your time-line. And so, to output your video and get it synced properly was more a function of luck than of any reliable work-around. By 1997, James and Paul were tired of waiting. Adobe Premiere versions had gotten a little better. So they decided to go for making a feature. In early 1997, James created 3 characters named Larry, Curly, and Joe. He wrote a few scenes involving these "pinches" sitting at a greasy-spoon, paying their respects to some colleagues whose funeral ceremonies are happening down the street after having all been mowed down in a gangland style mass-execution. Oh...And, btw, it's Thanksgiving! Over the course of approximately 9 months, James and Paul fleshed out an entire script based on these same characters: All 3 in one room for several hours, dealing with the complex issues that face each of them now that everyone in their organization--their friends, their bosses, their main sources of income--are all gone. Everything. Everybody...except them. Do they simply pick up the pieces and start over? There are a lot of pieces missing. They soon realize there is a lot they don't know about each other that only a few hours together in a dingy room can bring to the surface. Then, finally, there is also a lot they soon learn about themselves. Why did they survive? Is it destiny, coincidence, or something else beyond what they know? Having been 2 of 4 brothers, growing up mostly lower-middle-class. James and Paul were familiar with the experience of overflowing male energy in a small room. It's what attracts them to movies like Down By Law, and plays like: No Exit, The Dumb Waiter, American Buffalo, True West, and The Accidental Death of an Anarchist. It is what drove them to create Shaking Hands with The Unemployed. This predilection seemed to be the deep unspoken bond that was shared among them and the cast. What else could bring 3 of San Francisco's best actors together to work on a cramped soundstage at Shotwell Studios on a no-budget film? In November and December 1997, Tony Abou-Ganim, Ian Hirsch, and Daniel Maslijn LIVED their roles for a month and a half of production. Oh...And, btw, even on Thanksgiving! All packed together, with film crew (including SF heavy hitters Howard Shack, Chad Grochowski, Rob Lee, Randy Colosky, and Art Wellinski) in a small room. The result: Shaking Hands with The Unemployed. A 70 minute play captured on film. A master ensemble of unforgettable characters weaved together by a playful script that, bit-by-bit, betrays each of them, revealing all their darkest little secrets...Well, almost all. 10 years later, the characters of Shaking Hands with The Unemployed are as irrelevant now as they were in 1997. But their predicament is hauntingly timeless. When the world around us changes, what do we do? Do we adapt? Or do we stick to our old ways, and stay the course regardless of what lies ahead?
Author: JoeyDazzo
Keywords: Shaking Hands with the Unemployed
Added: August 23, 2008
Round about 1995, James and Paul D'Angelo were workshopping several movie ideas as they experimented with the earliest versions of Adobe Premiere editing software for the Mac (long before Final Cut). They read about all the upcoming technology breakthroughs and dreamed about what life would be like when IEEE 1394 (FireWire) would be a reality. So, meanwhile, with a chip on their shoulders (that is a 1 chip Sony DV camera), they shot and edited a bunch of weird skits. Almost with each new video skit, they tried on a new moniker for their production: CashJohn, Dorkdom, Bedhead, Plunger. Excited as they were with the promise of NLEs for the masses, the early versions of Adobe Premiere were nothing short of Excruciating. The biggest trouble was always syncing the video with the audio. There was an audio "drift" that would vary each time you played back your time-line. And so, to output your video and get it synced properly was more a function of luck than of any reliable work-around. By 1997, James and Paul were tired of waiting. Adobe Premiere versions had gotten a little better. So they decided to go for making a feature. In early 1997, James created 3 characters named Larry, Curly, and Joe. He wrote a few scenes involving these "pinches" sitting at a greasy-spoon, paying their respects to some colleagues whose funeral ceremonies are happening down the street after having all been mowed down in a gangland style mass-execution. Oh...And, btw, it's Thanksgiving! Over the course of approximately 9 months, James and Paul fleshed out an entire script based on these same characters: All 3 in one room for several hours, dealing with the complex issues that face each of them now that everyone in their organization--their friends, their bosses, their main sources of income--are all gone. Everything. Everybody...except them. Do they simply pick up the pieces and start over? There are a lot of pieces missing. They soon realize there is a lot they don't know about each other that only a few hours together in a dingy room can bring to the surface. Then, finally, there is also a lot they soon learn about themselves. Why did they survive? Is it destiny, coincidence, or something else beyond what they know? Having been 2 of 4 brothers, growing up mostly lower-middle-class. James and Paul were familiar with the experience of overflowing male energy in a small room. It's what attracts them to movies like Down By Law, and plays like: No Exit, The Dumb Waiter, American Buffalo, True West, and The Accidental Death of an Anarchist. It is what drove them to create Shaking Hands with The Unemployed. This predilection seemed to be the deep unspoken bond that was shared among them and the cast. What else could bring 3 of San Francisco's best actors together to work on a cramped soundstage at Shotwell Studios on a no-budget film? In November and December 1997, Tony Abou-Ganim, Ian Hirsch, and Daniel Maslijn LIVED their roles for a month and a half of production. Oh...And, btw, even on Thanksgiving! All packed together, with film crew (including SF heavy hitters Howard Shack, Chad Grochowski, Rob Lee, Randy Colosky, and Art Wellinski) in a small room. The result: Shaking Hands with The Unemployed. A 70 minute play captured on film. A master ensemble of unforgettable characters weaved together by a playful script that, bit-by-bit, betrays each of them, revealing all their darkest little secrets...Well, almost all. 10 years later, the characters of Shaking Hands with The Unemployed are as irrelevant now as they were in 1997. But their predicament is hauntingly timeless. When the world around us changes, what do we do? Do we adapt? Or do we stick to our old ways, and stay the course regardless of what lies ahead?
Author: JoeyDazzo
Keywords: Shaking Hands with the Unemployed
Added: August 23, 2008
Round about 1995, James and Paul D'Angelo were workshopping several movie ideas as they experimented with the earliest versions of Adobe Premiere editing software for the Mac (long before Final Cut). They read about all the upcoming technology breakthroughs and dreamed about what life would be like when IEEE 1394 (FireWire) would be a reality. So, meanwhile, with a chip on their shoulders (that is a 1 chip Sony DV camera), they shot and edited a bunch of weird skits. Almost with each new video skit, they tried on a new moniker for their production: CashJohn, Dorkdom, Bedhead, Plunger. Excited as they were with the promise of NLEs for the masses, the early versions of Adobe Premiere were nothing short of Excruciating. The biggest trouble was always syncing the video with the audio. There was an audio "drift" that would vary each time you played back your time-line. And so, to output your video and get it synced properly was more a function of luck than of any reliable work-around. By 1997, James and Paul were tired of waiting. Adobe Premiere versions had gotten a little better. So they decided to go for making a feature. In early 1997, James created 3 characters named Larry, Curly, and Joe. He wrote a few scenes involving these "pinches" sitting at a greasy-spoon, paying their respects to some colleagues whose funeral ceremonies are happening down the street after having all been mowed down in a gangland style mass-execution. Oh...And, btw, it's Thanksgiving! Over the course of approximately 9 months, James and Paul fleshed out an entire script based on these same characters: All 3 in one room for several hours, dealing with the complex issues that face each of them now that everyone in their organization--their friends, their bosses, their main sources of income--are all gone. Everything. Everybody...except them. Do they simply pick up the pieces and start over? There are a lot of pieces missing. They soon realize there is a lot they don't know about each other that only a few hours together in a dingy room can bring to the surface. Then, finally, there is also a lot they soon learn about themselves. Why did they survive? Is it destiny, coincidence, or something else beyond what they know? Having been 2 of 4 brothers, growing up mostly lower-middle-class. James and Paul were familiar with the experience of overflowing male energy in a small room. It's what attracts them to movies like Down By Law, and plays like: No Exit, The Dumb Waiter, American Buffalo, True West, and The Accidental Death of an Anarchist. It is what drove them to create Shaking Hands with The Unemployed. This predilection seemed to be the deep unspoken bond that was shared among them and the cast. What else could bring 3 of San Francisco's best actors together to work on a cramped soundstage at Shotwell Studios on a no-budget film? In November and December 1997, Tony Abou-Ganim, Ian Hirsch, and Daniel Maslijn LIVED their roles for a month and a half of production. Oh...And, btw, even on Thanksgiving! All packed together, with film crew (including SF heavy hitters Howard Shack, Chad Grochowski, Rob Lee, Randy Colosky, and Art Wellinski) in a small room. The result: Shaking Hands with The Unemployed. A 70 minute play captured on film. A master ensemble of unforgettable characters weaved together by a playful script that, bit-by-bit, betrays each of them, revealing all their darkest little secrets...Well, almost all. 10 years later, the characters of Shaking Hands with The Unemployed are as irrelevant now as they were in 1997. But their predicament is hauntingly timeless. When the world around us changes, what do we do? Do we adapt? Or do we stick to our old ways, and stay the course regardless of what lies ahead?
Author: JoeyDazzo
Keywords: Shaking Hands with the Unemployed
Added: August 23, 2008
Round about 1995, James and Paul D'Angelo were workshopping several movie ideas as they experimented with the earliest versions of Adobe Premiere editing software for the Mac (long before Final Cut). They read about all the upcoming technology breakthroughs and dreamed about what life would be like when IEEE 1394 (FireWire) would be a reality. So, meanwhile, with a chip on their shoulders (that is a 1 chip Sony DV camera), they shot and edited a bunch of weird skits. Almost with each new video skit, they tried on a new moniker for their production: CashJohn, Dorkdom, Bedhead, Plunger. Excited as they were with the promise of NLEs for the masses, the early versions of Adobe Premiere were nothing short of Excruciating. The biggest trouble was always syncing the video with the audio. There was an audio "drift" that would vary each time you played back your time-line. And so, to output your video and get it synced properly was more a function of luck than of any reliable work-around. By 1997, James and Paul were tired of waiting. Adobe Premiere versions had gotten a little better. So they decided to go for making a feature. In early 1997, James created 3 characters named Larry, Curly, and Joe. He wrote a few scenes involving these "pinches" sitting at a greasy-spoon, paying their respects to some colleagues whose funeral ceremonies are happening down the street after having all been mowed down in a gangland style mass-execution. Oh...And, btw, it's Thanksgiving! Over the course of approximately 9 months, James and Paul fleshed out an entire script based on these same characters: All 3 in one room for several hours, dealing with the complex issues that face each of them now that everyone in their organization--their friends, their bosses, their main sources of income--are all gone. Everything. Everybody...except them. Do they simply pick up the pieces and start over? There are a lot of pieces missing. They soon realize there is a lot they don't know about each other that only a few hours together in a dingy room can bring to the surface. Then, finally, there is also a lot they soon learn about themselves. Why did they survive? Is it destiny, coincidence, or something else beyond what they know? Having been 2 of 4 brothers, growing up mostly lower-middle-class. James and Paul were familiar with the experience of overflowing male energy in a small room. It's what attracts them to movies like Down By Law, and plays like: No Exit, The Dumb Waiter, American Buffalo, True West, and The Accidental Death of an Anarchist. It is what drove them to create Shaking Hands with The Unemployed. This predilection seemed to be the deep unspoken bond that was shared among them and the cast. What else could bring 3 of San Francisco's best actors together to work on a cramped soundstage at Shotwell Studios on a no-budget film? In November and December 1997, Tony Abou-Ganim, Ian Hirsch, and Daniel Maslijn LIVED their roles for a month and a half of production. Oh...And, btw, even on Thanksgiving! All packed together, with film crew (including SF heavy hitters Howard Shack, Chad Grochowski, Rob Lee, Randy Colosky, and Art Wellinski) in a small room. The result: Shaking Hands with The Unemployed. A 70 minute play captured on film. A master ensemble of unforgettable characters weaved together by a playful script that, bit-by-bit, betrays each of them, revealing all their darkest little secrets...Well, almost all. 10 years later, the characters of Shaking Hands with The Unemployed are as irrelevant now as they were in 1997. But their predicament is hauntingly timeless. When the world around us changes, what do we do? Do we adapt? Or do we stick to our old ways, and stay the course regardless of what lies ahead?
Author: JoeyDazzo
Keywords: Shaking Hands with the Unemployed
Added: August 23, 2008
Flickr (photos about secret spoon)
![look ma, no spoon! {secret 1;30]](http://static.flickr.com/3221/2730625054_109eb82b3a_s.jpg "look ma, no spoon! {secret 1;30]")
Digg (news relevants about secret spoon)
Mix one table spoon gram flour1/2 table spoon dry neem powderpinch of turmerictwo table spoon milk and .......
http://digg.com/health/Beauty_The_Secrets_of_the_Angels_Almonds_pack_for_dry_skin
All the best Japanese places I've been to in New York are underground. A Tokyo gastropub of sorts- comfort food and pitchers of Sapporo is the fare. I've wanted to go here since Anthony Bourdain mentioned it. It's not far from Times Square, secreted under a sushi bar, open til 3am, and serves great bar snacks like yakitori skewers, gyoza, and more.
http://digg.com/food_drink/Greasy_Spoons_Sake_Bar_Hagi_NYC
''How Can A Minimum-Wage Paid Success Seeker Transform Into The Owner Of A Six-Figure Business......With As Little As A Phone And A $20 Internet Connection?''Buckle Up... You're Seconds Away From Being Spoon-Fed Tons Of Valuable, Earth-Shattering Virtual Corporation Secrets! How is it possible... that someone who worked in a factory with the readin
http://digg.com/business_finance/Buy_Building_A_Virtual_Corporation_More_Cheap_Software
Al, we've been through hell and back together. We've spent sacred time in a sweat-lodge, fired up on peyote and spooning, naked, while we shared our most intimate secrets. So I say this as a friend. Will you please stop this fucking waffling? Your country needs you.
http://digg.com/2008_us_elections/Dear_Al_Grow_a_pair_and_do_the_right_thing
Links to "secret" Thai menus at Spoon and TAC Quick.
http://digg.com/food_drink/Good_information_on_authentic_Thai_in_Chicago
Spoon! The Tick Vs Season Two is out on DVD now! We've got a free copy for you in our Daily Giveaway! Also in this Giveaway: a top-secret bonus giveaway!
http://digg.com/television/Daily_Giveaway_The_Tick_vs_Season_2_on_DVD_5
Spoon! The Tick Vs Season Two is out on DVD now! We've got a free copy for you in our Daily Giveaway! Also in this Giveaway: a top-secret bonus giveaway!
http://digg.com/television/Daily_Giveaway_The_Tick_vs_Season_2_on_DVD_4
Spoon! The Tick Vs Season Two is out on DVD now! We've got a free copy for you in our Daily Giveaway! Also in this Giveaway: a top-secret bonus giveaway!
http://digg.com/television/Daily_Giveaway_The_Tick_vs_Season_2_on_DVD_3
Spoon! The Tick Vs Season Two is out on DVD now! We've got another free copy for you in our Daily Giveaway! Also in this Giveaway: a top-secret bonus giveaway!
http://digg.com/television/Daily_Giveaway_The_Tick_vs_Season_2_on_DVD_2
Spoon! The Tick Vs Season Two is out on DVD now! We've got a free copy for you in our Daily Giveaway! Also in this Giveaway: a top-secret bonus giveaway!
http://digg.com/television/Daily_Giveaway_The_Tick_vs_Season_2_on_DVD